Tamy is one of the latest shot series by the French photographer Luc Braquet. The series is basically a collection which shows one powerful and fascinating portrait. Read more about him in an earlier posted article on the Warmenhoven & Venderbos blog and see for the full series his portfolio website.
Photos by Luc Braquet | Luc Braquet portfolio website |
Recently filmmaker John McKay revisited David Bailey’s legendary 1962 trip to New York in the BBC film We’ll take Manhattan. During this trip Bailey had to shoot the photo’s for an editorial which was published in the April 1962 edition of British Vogue. He agreed to do the shoot only if the, at that time still unknown, Jean Shrimpton was his model. Bailey and Shrimpton where instructed to shoot mid-priced British fashions against the elegant landmarks and modern architectonic cityscape of Upper Manhattan. Instead of doing this David Bailey and his model Jean Shrimpton travelled with no hair or makeup artist and just his camera and an old teddy bear as prop through the more unpolished side of Manhattan. The shots he made melted raw and realistic street photography with fashion and high art and resulted in a legendary iconic series which captured the new liberated spirit of the decade.The photo’s of this shoot are later published in David Bailey: NYJSDB62 (Steidl, 2007). The film by John McKay explores the hedonistic love affair between the iconic photographer and the Sixties supermodel during this British Vogue fashion shoot.
Read more about David Bailey in this W&V blog post.
Photos by: David Bailey | David Bailey website | Photo 2 and 6 by: BBC | John McKay website
Sam Samore creates fascinating large scale conceptual photographs. Appropriative practices, which are established by artists such as Cindy Sherman, are a key element in his works. His photos are an exploration of privacy and myth in contemporary society.
Britany Salsbury (Artforum) about his work:
Samore’s photographs are characterized by open-ended and evocative narrative compositions that are reminiscent of film stills. Through the contrast between the straightforwardness of their artifice and the impossibility of explaining the situations they portray, Samore’s photographs reveal a fragmented and constructed subject that invites interrogation of gender, popular culture, and identity.
Britany Salsbury gives a clear analyse of Sam Samore’s work in the following quote: “The Dark Suspicion#1 (See top photo), for instance, shows a young woman whose vacant stare and decorated femininity (heavy makeup, etc.) make her resemble the subject of a fashion advertisement. The model is only visible, however, through a gap between two other figures, whose showy lipstick and starkly pale skin seem virtually identical to her own. Although it would be easiest to rationalize the two doppelgangers as mirror reflections of the female figure, such a reading is impossible, given their position in the photograph: between the woman and the viewer. This manipulation of space eschews predictable or concrete explanation and frustrates the viewer’s impulse to impose purpose or narrative on figures whose functions might have otherwise seemed clear.”
In the above video by Kiki Allgeier , Sam Samore explains some more about his works. Samore’s role within LM100 (Le Meridien) was to help identify and chronicle the narratives inherent in the guest experience, from his contributions to the stories included in Le Méridien’s 50 Words story collection to his role as an artist behind a series of keys in the Unlock Art collection.
Photos from top to bottom:
The Dark Suspicion #1, 2011
Allegories of Beauty (Incomplete) #108, #44, #63, 1990s
The Dark Suspicion #5, 2011
Allegories of Beauty (Incomplete) #47, #10, #50, #8,1990s
Photos by: Sam Samore | Video by: Kiki Allgeier | Source: Britany Salsbury |
Legendary images of the 60s and 70s are brought together in the ‘Zeitgeist & Glamour’ exhibition at the NRW-Forum in Düsseldorf; the most spectacular photographs of an exciting era: the icons of an age, superstars and celebrities, and unmistakable milieux. There are both masterful photographs of the highest aesthetic order, ground-breaking in their finesse, and cheerful snapshots of a hidden world. Images of a culture celebrating itself in the midst of fame and glamour, wallowing in the pleasure of a beautiful moment. The pictures embody the spirit of the hour, the attitude of an entire generation. Public and private alike are captured, as are faces and atmospheres, the extravagant and the usual, glamour and its complement: melancholy and forlornness. The Zeitgeist & Glamour exhibition offers a kaleidoscope of life forms from the 60s and 70s that centres on the ‘stages’ of the major cities of the Western world.
The exhbition Zeitgeist & Glamour at the NRW forum in Düsseldorf will run until may 15, 2011.
See also an earlier posted article on the Warmenhoven & Venderbos Blog about David Bailey.
Photos: NRW Forum | Video: Ralph Goertz and Institut für Kunstdokumentation |
David Bailey is an inspiring, unique and remarkable photographer who shot fascinating fashion and celebrity photos. In 1959 he became a photographic assistant at the John French studio, and in May 1960, he was a photographer for John Cole’s Studio Five before being contracted as a fashion photographer for British Vogue magazine later that year. Along with Terence Donovan and Brian Duffy, he captured and helped create the ‘Swinging London’ of the 1960s: a culture of high fashion and celebrity chic. The three photographers socialised with actors, musicians and royalty, and found themselves elevated to celebrity status. Together, they were the first real celebrity photographers, named by Norman Parkinson as “the Black Trinity”.
Last year a retrospective of his most iconic photographs with the title “Pure sixties. Pure bailey” was on show at Bonhams. Fifty years on from a decade that changed our cultural history, his images celebrate a period of spontaneity and decadence, capturing the glamour and hedonism of the era. Among the famous faces immortalised by Bailey’s lens are Mick Jagger, Michael Caine and the Jean Shrimpton. In the below video interview he had an interesting talk with Sarfraz Manzoor about Picasso, body language and his dread of photographing modern celebrities.
Some of David Bailey’s photo’s are currently on exhibition at the NRW Forum Düsseldorf. This exhibition carries the title Zeitgeist & Glamour and will run until May 15, 2011. Read more about it in this article on the W&V Blog.
Photos by: David Bailey | Video by: The Guardian | David Bailey website